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  1. Hace 5 días · Sin embargo es necesario hacer ver que el deseo construido a partir de sus películas no está inscrito narrativamente, sino que disperso y desencarnado, lo que lo vuelve elástico y constante, como en The Intruder (2004) o en Trouble Everyday (2001), pero sobretodo en Beau Travail.

  2. 17 de jul. de 2024 · Most celebrated for “Beau Travail,” her sensuous transposition of Herman Melville’s “Billy Budd” to an African outpost of France’s Foreign Legion, Claire Denis could be the strongest French filmmaker of the post-New Wave generation.

  3. Hace 3 días · July 23, 2024. 11:00 AM. No Fear, No Die is a rarely-screened early masterpiece from the legendary Claire Denis (Beau Travail), presented in a glistening brand-new 4K restoration. Awash in ’90s style and nocturnal atmosphere, Claire Denis’ rarely screened second film No Fear, No Die plunges us into a seedy underworld on the outskirts of Paris.

  4. 4 de jul. de 2024 · em um espaço recluso cercado por homens, Claire Denis explora o ideal do estético e se encontra no corpo masculino e com a atração carnal involuntária da masculinidade, a canonização da beleza e a provocação de um prazer catártico, ao passo que retrata as idas e vindas de um capitão e seus soldados por meio da dança e das memórias ...

  5. 30 de jun. de 2024 · La enigmática Claire Denis reaparece en el catálogo de streaming Mubi acaba de agregar a su lista Bella tarea (1999), uno de los films más misteriosos de la cineasta francesa.

  6. 11 de jul. de 2024 · A tone poem of masculinity, homoeroticism, sensuality and repressed desire, Beau travail explores the unraveling of Sergeant Galoup (Denis Lavant) of the French Foreign Legion as he gradually grows obsessively jealous of the young and beautiful legionnaire Sentain (Gregoire Colin).

  7. 2 de jul. de 2024 · Drill Team explores both Kulezic-Wilson’s specific (if uncertain) argument about the relationship between two films, Beau Travail (Claire Denis, 1999) and The Fits (Anna Rose Holmer, 2015), and her general argument in the chapter about the “composed” nature of the sound (and music) design in these and other modern or contemporary films, as well as about the capacity of these films, and ...