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In 1998, Gus Van Sant made a nearly shot-for-shot remake (in color) starring Vince Vaughn, Julianne Moore, and Anne Heche. Van Sant said that his film was "a huge kind of experimental project", and that, though it did not do well commercially or critically, he may do it again, with more changes. See also
Van Sant’s artistic choices, not unlike his decades as a Hollywood outsider, defy most traditional paths. After gaining attention from studios and A-listers by writing and directing low-budget darlings (Drugstore Cowboy, My Own Private Idaho), he became a celebrated director-for-hire — helming Nicole Kidman’s career-solidifying vehicle, To Die For, and the 1997 hit Good Will Hunting, the ...
Como sabrás, Love es la viuda del cantante de Nirvana Kurt Cobain, quien se suicidó a los 27 años, y el director Gus Van Sant quería hacer un filme sobre el músico. Pitt, por su parte, iba a...
Psycho (1960) Reign: 1960-67. ... which is why it’s no coincidence that, when Gus Van Sant decided to remake it in 1998, he literally did it shot for shot. ...
1960 Psycho, Alfred Hitchcock. 1961 West Side Story, Robert Wise & Jerome Robbins. 1967 ... Gus Van Sant. 2007 Zodiac, David Fincher. 2010 Inception, Christopher Nolan.
Director Gus Van Sant recreated Alfred Hitchcock's 1960 masterpiece nearly scene for scene but in color instead of black and white, and set in 1998. Despite the close replication, it still lost something in translation.
Gerry (Gus Van Sant, 2002) – All the sand in the Beyond Blue Tomorrows novel within the novel. Barfly (Barbet Schroeder, 1987) – the main setting in Fletcher’s Bar, minus the fights. Near Dark (Kathryn Bigelow, 1987) – Rachel’s (failed) attempt to keep violence at bay
