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  1. Unfinished Sympathy began as a fugitive melody floating around in Shara Nelson’s sub-conscious during the sessions for Blue Lines.When co-producer Jonny Dollar(Sharp) accidentally heard her humming the melody to herself, he urged her to sing it to him and loving the melody so much he hastily arranged a late-night jam in the studio – just a keyboard and drum machine with singer Shara Nelson ...

  2. 11 de feb. de 2021 · Unfinished Sympathy began as a melody floating around in Shara Nelson’s head during the sessions for ‘Blue Lines’.She recalls to Uncut Magazine in 2010: “The song started while we were rehearsing at the Coach House in Bristol in mid 1990, we had already recorded a few tracks that went on Blue Lines, including Safe From Harm, and we had been struggling to record a track called It Will Rain.

  3. 20 de dic. de 2007 · Album Blue lines (right)

  4. It features a string section and various orchestral elements (the title is probably a play on the term "Unfinished Symphony"), as well as samples and layers of vocals. The rhythm track is based on the bells found in the 1975 song "Take Me To The Mardi Gras" by Bob James, a jazz composer known for combining elements of dance, funk and pop.

  5. Unfinished Sympathy est une chanson écrite par le groupe de trip hop Massive Attack et publiée sur l'album Blue Lines en 1991. Elle est interprétée par Shara Nelson . Le single est un succès et contribue à la renommée du groupe, se classant notamment à la 13 e place au Royaume-Uni et atteignant la 1 e position aux Pays-Bas .

  6. Massive Attack - Unfinished Sympathy (Letra y canción para escuchar) - I know that I've been mad in love before / And how it could be with you / Will it hurt me baby?

  7. 18 de jul. de 2024 · “You’re the book that I have opened, And now I’ve got to know much more…” Massive Attack‘s seminal Unfinished Sympathy might have been released some thirty-odd years ago (11 February 1991), but to this day it stands out as a trip-hop template-setter – ethereal strings, dub-heavy bass and shuffling bass combined with Shara Nelson’s soaring vocals.